Anna-Helena McLean, as director and founder of Moon Fool Theatre Exchange, hosts research, conferences, workshops and residencies between UK and Italy since 2018. The company's work centres its unique ACTOR - CHORUS - TEXT (ACT INTERNATIONAL) Ensemble Practices since 2010 offering training for actors, teachers, professional performers and most recently establishing a corporate arm focused on Voice Vision and Impact for leaders. ACT INTERNATIONAL is an original approach to voice, performance, teamwork and communication. The methodology has been tried and tested over 20 years' professional practicing with a diversely representative cross-section of participants including parent artists, LGBTQIA*+ communities, multi-abled and neurodivergent artists as well as classical actors and mainstream theatre, film and music makers. The corporate work has evolved through partnerships at Guildhall School of Music and Drama and the Alef Trust. The performance arm offers a unique training that symbiotically interweaves music, movement, text, audiovisuals and other advanced multimedia to tell stories, while responding to and reinventing the given spatial location. The corporate arm brings Anna-Helena's most current research into collective intelligence, affective communication, relationality in tech and neuroscience toward the leaders of tomorrow.
ACT includes a range of comprehensive acting, performance and presence centred techniques that are introduced through an accessible and integrated system of exercises. Anna-Helena's unique research proposed an 'Integrated Physiovocal' (IPV) approach to performance and production that is broken into 6 stages: Spine, Breath, Vocality, Physiovocality, Communication and Conscious Behaviour. To introduce each and every individual artist and participant into the world of the ACT practice the following outline areas of training that are tailored to each and every group and context to empower people from all backgrounds in meeting their creative aims: Ensemble balance training Physical partner listening Spinework, co-consent and intentional practices Chorus leading and gesture work Extended vocal techniques Integrated physiovocality Choral singing and pitch Intervals and the relational actor Rhythm and breath awareness Dynamic speech work Musical dramaturgy and composition Structured improvisation Collaboration and devising Crafting music theatre for production The training is applied to an exploration of self in the practice. IPV sensitises each individual to unique and heightened sense of awareness and the associative 'characters', flavours and energies that evolve as rooted in differing world views. ACT draws on rigorously researched stories, plays and chronicles from around the world leaning into the marginalised voice, the relevance of the 'silenced' and rehearsing participants for the subversion of 'norms' in a fast changing future. Workshops have been known to draw on scene extracts from classical texts including Shakespeare and the Ancient Greeks. In 2019 the work has moved toward Ancient Mesopotamian poetry, modern novels, fairy tales and new-writing. The deep practice with and through research and source texts enables ACT to generate original ensemble works of theatre in a constantly evolving, responsive and relevant style while also prioritising high quality production values and high definition performances. ACT INTERNATIONAL operates through freelance appointments and private commissions, in educational contexts or as an annual residency in Italy every summer. |
"ACT truly aims for living up to the expectations of creating a heightened reality on stage. No drama or production or a story telling medium should overlook such a process even if it is filtered or edited in later stages of productions to nuanced levels. I would suggest every actor to experience this training"
Anuj Choudhry, Actor participating in ACT India "When engaging in a physical workshop with Anna-Helena McLean, it is not only the body that is activated, but also the mind and the spirit. She is an incredible leader. Her power as a performer is both admirable and awe-inspiring, but her greatest ability is to inspire in others a stronger belief in their own abilities. I enthusiastically endorse her workshops for performers and non-performers alike". Director of Sideway Theater and MFA student DePaul Chicago “... The texture of your work weaves physicality and words together with a musicality that penetrates all levels of what takes place in the space... in the 10 days we had, what came out was absolutely incredible, and I deeply admire every single person I worked alongside. The combination of people, your brilliant leadership, the space, and Shakespeare’s text, really really worked for me... we were actually there for each other all throughout the piece when we performed, which is remarkable and a real treasure to take away”. Workshop Participant |
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